Body of Truth (2019)
DOCUMENTARY | ART-IVISM | GENDER
FRIDAY 30 APRIL | 6:30PM
ACMI CINEMA 1
FEATURING A PRE-FILM ARTIST PERFORMANCE BY GEORGIA BANKS
AND A POST-FILM PANEL DISCUSSSION
Content warning: This film and performance contain nudity and the use of an artificial gun, as well as scenes or themes of self harm that some audience members may find disturbing. Viewer discretion is advised.
Australian Premiere
Director: Evelyn Schels
Country: Germany
Year: 2019
Duration: 95 minutes
Language: English and German with English subtitles
Genre: Documentary
Screening Location: ACMI Cinema 1, Federation Square, Melbourne | Plan your visit to ACMI **Please enter through the Fed Square entrance
Festival Selection
Synopsis
“The mind can lie, the mind can mostly lie, but the body never can lie.” - Marina Abramović
Artists Marina Abramović, Sigalit Landau, Shirin Neshat & Katharina Sieverding have been politicized by experiences with war, violence and suppression and integrated them into their work, using the most personal feature available: their own bodies.
In Body of Truth we accompany these artists on an emotional journey through their biographies. They stand for the major conflicts of our time: Iranian exile Shirin Neshat examines the discrepancies within Islamic society; Marina Abramović, the daughter of Montenegrin partisans, has repeatedly explored the issues of violence, pain and grief, as experienced indirectly in the Yugoslav wars; the German Katharina Sieverding examines the problem of fascist structures, from the Nazi era to Pegida and Israeli artist Sigalit Landau’s work draws on the quotidian fear of terror. Each act creates a vital way to address the violence of the past and, in doing so, also the present. Evelyn Schels's documentary presents these artists and their differing works to us, then steps back so we can draw our own conclusions.
Unclassified 15+
PANEL DISCUSSION
Community Impact Partner
The Women’s Art Register is Australia’s living archive of women’s art practice (cis, non-binary and trans inclusive) and an artist-run community and resource.
Since 1975 W.A.R. has provided a platform for research, education, advocacy and support to enhance the status of women artists and address issues of professional practice, equity and cultural heritage.